1928. Considered the major typeface development to come out of the constructivist orientation, Futura is timelessly modern and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity.

One of the world's most influential and widely used sans-serif typefaces, known for its clean, efficient, and neutral appearance. Originally designed in 1957 by Max Miedinger for the Haas Type Foundry under the name Haas Grotesk, it was renamed Helvetica in 1960, derived from Helvetia, the Latin name for Switzerland.

1988. After years of having an interest in sans serif typefaces, the make use of the experience and stylistic developments of the twentieth century.

A group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular to this day and often used for book printing and body text. Ideal for book typesetting, formal invitations, and editorial design.

Designed for the Stephenson Blake type foundry. A very heavy, narrow, sans serif face intended for use in newspapers, for headlines and in advertisements. Aptly named, this face has a very large "x" height with short ascenders and descenders.

A modern, geometric sans-serif font with clean lines. This font features clean, geometric lines with a modern and minimalist aesthetic. The characters are evenly spaced with a consistent stroke width, contributing to its legibility and sleek appearance. Ideal for branding, advertising, and editorial design projects.

A geometric, squared sans-serif typeface from Nebiolo S. A. foundry.

Render CSS flex and grid layouts in TypeScript without the browser, DOM, or WASM for exact pixel output and low overhead